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Acoustic Recordings
of the Banjo, 1898-1924

Two CDs with over two hours of acoustic-era recordings featuring banjo performances by Fred Van Eps, Vess Ossman, Harry C. Browne, "Black Face" Eddie Ross, Shirley Spaulding, and others. 

This is the most recent Phonozoic CD, prepared using some different equipment, techniques, and software.  It contains no traditional "noise reduction" in the upper frequencies and no arbitrary midrange reequalization -- no need to guess what these records really sounded like before the computers got to them!  (Well, except for all those annoying pops and clicks and thumps, that is.)  A traditional "CD booklet" lists the discographical basics, but notes are inserted on a sheet in the back and may be periodically updated.

51 tracks
Track Listing
Total playing time: 154:13 
(77:34 and 76:39)

$20.00 + shipping
  

Crazy as a Loon:
"Coon Songs" and "Darky
Specialties," 1897-1910

During the 1890s and 1900s, the heyday of instrumental ragtime, America also experienced a craze for a similarly syncopated vocal music, the legacy of which is more troublesome.  The coon song coupled the catchiest tunes of the age with words marking a low point in crude racial stereotyping and insensitivity.  This genre of popular song shaped and reinforced racist assumptions to a degree that should not be underestimated.

The coon song craze coincided with the introduction of sound recording, and so, although it has (thankfully) died out as a performance tradition, its style can be rediscovered through early commercial cylinder and disc recordings. 

29 tracks plus
detailed notes in 12-page booklet
Track Listing
Total playing time: 72:56
$16.00 + shipping

How'd You Like to
Spoon With Me?
Songs of Love, Lust, and Courtship,
1902-1923

Love may be timeless, but the customs and expectations of courtship have changed dramatically over the course of the twentieth century. The songs on this compact disc reflect the ways of the first quarter of the century -- an era which might at first nostalgic glance appear simpler or at times even naïve: an age when popular songs celebrated playful excursions to the beach, nighttime walks in the park, and fond reminiscences by older people of their own youthful courting. The term spooning, whatever connotations it may have today, was then roughly equivalent to the contemporary expression petting. But many of the selections in this program show that the period covered was not an age without its own troubles, fears, and complexes, and close attention to the lyrics will sometimes reveal a biting cynicism about relationships to rival anything found today.

A wide spectrum of pioneer recording artists is represented on How'd You Like to Spoon With Me?, including Arthur Collins, George Gaskin, Will Halley, Ada Jones, Harry Macdonough, Eddie Morton, Billy Murray, Dan W. Quinn, and Clarice Vance. Selections range from the sentimental ("When the Harvest Days Are Over," "If a Girl Like You Loved a Boy Like Me") to the playful ("Pretty Baby," "I Love Her, Oh! Oh! Oh!") to the cynical ("Where Can I Meet You Tonight?," "Somebody Else Is Gettin' It") to the absurd ("All He Does Is Follow Them Around," "I Love Me").

27 tracks plus
detailed notes in 12-page booklet
Track Listing
Total playing time: 73:01
$16.00 + shipping

Under the Double Eagle:
Recordings from Habsburg
Austria-Hungary

We have all seen albums promising a musical introduction to a given country, boasting titles such as "All the Best from Portugal" or "Passport to Luxembourg."  This compilation is intended in the same spirit, except that the "country" it represents passed out of existence at the end of the First World War.

Update: we thought all recordings on this disc were from Austria-Hungary when we put this together back in 2000, but a couple turned out to be from Berlin (contrary to the labels!). 

The Dual Monarchy of Austria-Hungary was a state -- or rather, beginning in 1867, two states -- bound together by allegiance to the member of the Habsburg dynasty who happened to be both Emperor of Austria and King of Hungary.  On the other hand, this state complex was also a multicultural maelstrom of Germans, Magyars, Czechs, Croats, Italians, Slovaks, Serbs, Poles, Romanians, and Ukrainians.  With the awakening of nationalist aspirations from 1848 on it was arguably only a matter of time until the Habsburg territories were doomed to disintegration. 

Whatever the peoples of the Dual Monarchy may have had in common, and whatever may have divided them, the selections presented on this disc provide a broad overview of their musical traditions in the last years before the Great War.  Not every group is included -- that would be well-nigh impossible -- but an effort has been made to produce a diverse and representative sampling.  Some selections are taken from gramophone discs sold in Europe, while others are from discs recorded abroad and marketed to immigrant communities in the United States.  We hope you will enjoy listening to these recordings made in Vienna, Budapest, and Prague before 1918... under the Double Eagle.

26 tracks
Track Listing
Total playing time: 72:07
$16.00 + shipping

I'm Making You a Record!
Home and Amateur Recordings
on Wax Cylinder, 1902-1920

The history of early sound recording has usually been told from the standpoint of the commercial industry giants: Edison, Victor, Columbia, and their rivals.  But in the era of the wax cylinder phonograph ordinary people also made their own recordings at home under informal circumstances for the amusement of themselves, their family, and their friends.

Providing a glimpse into this almost forgotten segment of phonographic history, I'm Making You a Record presents twenty-five unique amateur recordings from the first two decades of the twentieth century.   Startlingly unlike the commercial recordings of the same period, these cylinders offer us the opportunity to eavesdrop on the informal life of an age long past.  The sound quality of these recordings varies widely due both to original recording conditions and to the ravages of time. Wax cylinders are susceptible to "mold" damage which can sometimes obliterate the original sound.  But keep in mind that there are no other, better copies of the recordings included here: each home-recorded cylinder is unique.

25 tracks
Total playing time: 55:24
Track Listing

$16.00 + shipping

The Wrecked Record
Home and Amateur Disc
Recordings, 1939-1957

From homemade interviews with Santa Claus to flubbed nursery rhymes, from New Year's Eve celebrations to schoolchildren speculating about space travel, these are definitely recordings you were never meant to hear!

Home disc recordings from the 1940s and 1950s are fairly common, turning up regularly at antique shops, thrift stores, and library book sales.  Nevertheless, each of these recordings is also unique; taken individually, there are no records rarer than these. 

The discs themselves vary from 6 1/2 to 12 inches in diameter and consist of a core of either stiff paper or metal coated with a thin layer of lacquer or acetate.   

The performances may often seem "amateurish," but labeling them that way misses the point: in most cases who made the recordings -- or even the enjoyment of recording itself -- was considered more important than the technical expertise shown in the finished product.  

Long neglected and often stored under adverse conditions, early home recordings are now beginning to capture attention as a major (if informal) part of America's heritage of recorded sound.  

26 tracks
Total playing time 72:31
Track Listing
$16.00 + shipping

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